Portfolio
Original works for orchestra, chamber ensemble, voice, and piano.
Full scores and performance materials available.
Orchestral Works
Full orchestra scores exploring narrative arc, dramatic contrast, and the expressive range of large ensemble writing.
2025 — 6’00 — 2 Fl, 2 Ob, 2 Cl (Bb), 2 Bsn / 4 Hn (F), 2 Tpt (Bb), 3 Tbn (2T, 1B), 1 Tba / Chm, Cr.Cym, S.Cym, S.D., Taïko, B.D. / Str
An orchestral work in seven movements, tracing a nation’s story from quiet discontent to hard-won victory.
Chamber Works
Small-ensemble pieces built around dialogue, gesture, and the expressive clarity that comes from writing for just a few voices at once.
2016 — 3’56 — Flute and Piano
A satirical portrait of falling in love, for flute and piano: naïve, giddy, and quietly biting.
2015 — 4’10 — Flute, Violin and Piano
A conversation at the edge of farewell — two voices, one mediator, and the slow unraveling of something that cannot be saved.
Vocal Works
Art songs and solo vocal pieces centered on storytelling — the relationship between a singing voice, a text, and everything the accompaniment carries underneath.
2025 — 3’00 — Soprano coloratura (unaccompanied)
A commissioned work for unaccompanied coloratura soprano, tracing the way memory reconstructs the places we’ve left behind.
2015 (rev. 2025) — 2’40 — Soprano and Piano (available Transposed Edition: Mezzo-Soprano; Tenor)
A farewell letter begun in 2015 and finally finished a decade later. Spare, intimate, and unhurried — the shape of something that took time to say.
2016 — 2’32 — Tenor and Piano
A tenor song about the pull of the country you left — success abroad, and a heart that stayed behind.
2015 — 3’28 — Baritone and Piano
A baritone song written from inside a mind unraveling: love, doubt, fear, and the particular chaos of feeling too much at once.
Piano Works
Works for solo piano and piano four hands, ranging from intimate character studies to more expansive structural forms.
2016 (rev. 2025) — 5’45 — Piano 4 hands
Madagascar’s national anthem taken through five variations for piano four hands — from the pride of Independence Day to the darkness of its hardest years, and back toward something like light.
2016 — 4’51 — Piano solo
The fragile moment before a piece exists: waiting, following a small musical impulse carefully so it doesn’t disappear before it becomes something.
2014 — 3’56 — Piano solo
A piano piece written as a farewell letter to a friend, sent in music because some things are easier to say that way.
2012 — 4’32 — Piano solo
The first piano piece the composer ever wrote, played at private concerts for friends and family, revised many times since — still evolving.
Choral Works
Works for mixed voices — from intimate a cappella writing to accompanied settings — shaped around text, harmonic color, and the particular weight of many voices in unison.
2015 (rev. 2023) — 2’41 — SATB and Piano
A setting of Ecclesiastes 3 for eight-part choir and piano, built around the quiet truth that every season has its place.
2016 — 2’32 — SATB and Marimba
A winter song for chorus and marimba — spare, still, and unexpectedly hopeful.
2016 — 4’02 — SATB and Piano
A mournful prayer for four-part choir and piano, written from the place where despair and faith meet.
2016 — 2’59 — SATB and Piano
A short, urgent setting of the proverb’s call to wisdom — a father’s voice, insistent and tender at once.
2016 — 1’54 — SATB unaccompanied
A warning in canonical form: the bass voices carry God’s command, the upper voices echo it in variation, and by the end every voice has fallen silent.
2015 — 3’08 — SSAATT and Piano
Commissioned for a choir’s tenth anniversary, this piece takes their motto “to the Lord I belong, and I press on” and finds music that is celebration without triumphalism.
2014 — 2’23 — SATB and Piano
A praise anthem that arrived in the middle of the night and was written before morning